Jab Pyar Kisi Se Hota Hai (2) (song Jiya o kuch bol do is not complete in both record and movies by mean of music version repeat-song is of 2 antara) 1961* Angel. Kya Soch Raha Re Lata, Mohd. Rafi Mp3 Gori Ke Haath Mein Jaise Ye Challa Lata, Mohd. Rafi Mp3 Ek Baar Rakh De Kadam Zara Jhoom Ke Mohd. Rafi Mp3 Dekho Re Hua Lahoo Se Lahoo Kaise Judaa Mp3 Bade Bhole Bhale Mp3 Soona Soona Mahal II Chandrani Mukharjee Mp3 Bhago Bhoot Aaya Bappi Lahiri, Chorus Mp3 Soona Soona Mahal I Chandrani Mukharjee Mp3.

Javed Mohammad Khan -- Pen Name: Noon Javed, is a very versatile and an excellent poet from Chicago. He has been busy with writing poetry and other realted literary works for over thirty years.

He has been appreciated and recognized among the renowned poets of India and Pakistan in different sittings and Mushayeras held in the Sub-continent and abroad. His works have been celebrated and published in different literary magazines and applauded in the literary circles unanimously. Noon Javed's Poetic works are so much loved. His poems and ghazals attract the people from all ages and walks of life.

In his poems, he talks about nature, the pure beauty -- the true love and affection which most poet deny when they are asked they always come up with mysticism but they fail to understand the very root of mysticism is nothing but love which is said to be the only reason for existence. The way a human mind thinks - the conviction of the heart and the consequences of unleashed imagination and thoughts. His imaginative poems show the real picture and his audacity to address such issues at the same time. The name of his Poetry Book is 'Sawan Rut' it is a treat to read and enjoy. Define papi chulo. His famous poems and other works will be added to this Blog soon.

TRIBUTE TO THE GREAT INDIAN LEGENDARY SINGER: MOHAMMED RAFI – The Last Decade - Rising of the Phoenix. In our previous post of this article we made a passing reference to the controversies or tiffs between singers and or music directors.

Before we begin with the Seventies, it would be pertinent to point these out. Rafi Sahaab who had given so many hit numbers under the baton of O.P. Nayyar in the Fifties and the Sixties found himself at the receiving end one day when once he was late at the recording of a song from 'Saawan ki Ghata' (1966). Despite his explaining that he could not arrive on the dot because of repeated retakes at the recording sessions of Shankar-Jaikishen, the somewhat eccentric O.P. Would just not listen to reason and called for a pack-up just as Rafi Sahaab entered the studio. This delay of two hours on part of Rafi Sahaab resulted in two-three years of divorce between him and O.P.

At least we have that beautiful Rafi number: ZULFON KO HATAA LE CHEHRE SE in that movie though we lost out on MERI JAAN TUM PE SADQE (sung by Mahendra kapoor). Humsaya (1968): DIL KI AWAAZ BHI SUN was one of the last great hit of theirs. It was Rafi Sahaab who initiated the truce and the reunion was a very emotional one. Nayyar admitted that Rafi Sahaab was a thorough gentleman, polite, and a very professional singer and there was no serious problems between them. Indeed, it appears that the answer to this mystery lay in the maxim: Cherchez La Femme, and this was in fact confided by the music director to a friend of his. For Rafi Sahaab, O.P. Nayyar was one of the most outstanding music directors.

Nayyar recorded Rafi Sahaab's voice for ZAMAANE KI AANKHON NE for Ek Baar Muskuraa Do. But much damage had been done - damage to O.P. Nayyar's career arising from his own ego-centric moods and behaviour and also declining popularity ever since he abandoned Rafi Sahaab. Even many years years later after the demise of Rafi Sahaab, O.P. Nayyar openly confessed his error of shutting out Rafi Sahaab from his recording room. However, O.P.

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Nayyar's preference for Rafi Sahaab is too well-known. The glowing tributes that he paid Rafi Sahaab by saying that if there were no Rafi there would have been no O.P. Nayyar speak volume for the composers unstinted love for Immortal Rafi Sahaab. According to him, all that a composer had to do was to tell Rafi the words. He would infuse emotion and life into it like no othe would. Lata Mangeshkar who had had her fair share of tiffs with Raj Kapoor (for whom she did not sing for his Mera Naam Joker and also during the making of Satyam Shivam Sundaram where she finally sang 'Yashomati maiya se bole Nandalala' ); Music Directors such as S.D.