Each screen control can then be mapped to sound parameters on a per-patch basis. Patches are recallable collections of channel strips containing the plug-ins that collectively make a sound. MainStage 2 also offers new screen controls like VU meters and classic Hammond-style drawbars, while predefined groups of screen controls — from simple setups that mirror stompboxes to full-fledged mixing consoles — can be dragged into the layout. Once your layout is designed, you attach screen controls to sound parameters using Edit mode.

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For example, in Layout mode I created a single-screen control knob and named it Lush. (Screen control labels can automatically be labeled according to the parameter they're controlling, or you can give it a custom name as I did.) In Edit mode, I mapped the screen control to the main channel volume of a delay return and to both the wet and dry parameters of the Space Designer reverb plug-in inserted directly on my guitar channel. I inverted the screen control curve going to Space Designer's dry volume. With this mapping as the Lush knob was turned up, the dry signal was gradually removed while the reverb and delay effects were increased.

Back in Layout mode, I mapped a physical volume-style MIDI pedal to my custom Lush screen control so that getting more of an ethereal sound didn't require taking my hands off my guitar. Recording, MIDI, More MainStage 2 offers recording on a limited scale by letting you record a single stereo file that mirrors a selected audio interface output. MainStage 2 can also route MIDI messages to external devices, whether integrating hardware synths or controlling external signal processors in a live performance-management system. A new channel strip-type called External Instrument works with your Mac's AMS (Audio MIDI Setup) configuration, so integrating external MIDI gear with MainStage's internal sound generators is a simple matter. Also new is ReWire support.

Getting access to synths in programs like Propellerhead's Reason is an easy process that's identical to working with external MIDI gear. I simply created an External Instrument channel strip, and all of Reason's rack synths appeared as MIDI destinations and the return audio input menu displayed all of Reason's audio outputs. Unfortunately, MainStage only operates as a ReWire master, so it can't follow tempo changes via ReWire protocol. Although MainStage can send tempo changes to slave applications, if you're running tempo-centric programs like Ableton Live, you may find it frustrating to jump into MainStage to do real-time tempo changes. Guitar Spotlight Logic's new Amp Designer is a massive jump beyond the functional but limited Guitar Amp Pro plug-in offered in MainStage's earlier version. Many new algorithms audibly (and visually) model vintage and modern amps from companies like Fender, Marshall, Vox, Mesa Boogie and even Orange.

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