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It was born in the turn of the 19th Century to the 20th, becoming a popular genre through the hands of Louis Armstrong, the starter of it all. Armstrong helped Jazz integration into American society, due to his acceptance in white audiences.

Jazz had grown so big that it had its own dialectics: avant-garde x establishment, west coast x east coast and white x black. Musicians like Duke Ellington, Charlie Parker and Dizzy Gillespie gave sophistication to an art that then was only considered for “black people”. The Bebop movement was the revolution that ignited the fire in which Jazz burned, spreading across the world and expanding its horizons over the US boundaries. Jazz was not something exclusive for black and American people. Chet Baker, Gerry Mulligan and Dave Brubeck were amongst many white, middle-class male Jazz musicians.

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In Cinema, Jazz first became popular for its association with Noir movies. Dark lights, shadows, mystery and underground environment were a perfect context for jazz musique. Elmer Bernstein once said that movies turn to jazz “when someone steals a car”. It’s a genre that was often related to junkies, criminals, potheads, alcoholics, outsiders and black people. Nowadays Jazz is often linked with clean white people from Woody Allen movies. In Whiplash, JK Simmons refers to it as “Starbucks Jazz”. Another part of the problem is a quote from Frank Zappa: “Jazz is not dead, it just smells funny”. That talk started when Miles Davis was in a huge ego trip in the end of the Seventies.

Jazz declined and lost its geniuses one by one. The last one was Ornette Coleman. Is Jazz fading that fast? It’s hard to tell, but there are living musicians who carry the torch and keep the ball rolling. And movies are an important part of that. John Zorn baptized his hardcore-jazz band Naked City as a tribute to the Noir movie from 1948.

He is still alive and making pretty interesting jazz music in his projects. Angelo Badalamenti writes brilliant jazz soundtracks to David Lynch. Jazz is, has been and always will be alive and well. One only has to look for it. A Streetcar Named Desire (1951) New Orleans is the birthplace of many jazz, blues and funk artists.

And it’s also where the story happens. A city filled with madness and sensuality. The soundtrack of Alex North enhances those feelings into songs filled the swing and malice. The title track is similar to the classic “I Put a Spell on You” by Screamin Jay Hawkins, with an intriguing range suggesting a crossroads with the devil on the next corner. 19. Breathless (1960) Jean Luc Godard did the Nouvelle Vague tribute to American cinema and culture. There are many references from Humphrey Bogart to Doo Woop and Lucky Strike cigarettes.